Thursday, October 16, 2014

AetherFest 2014

Good news for all Steampunk fans in the southern USA -- AetherFest is coming to San Antonio! The historic (and reportedly haunted?) Menger Hotel is the place and it all happens on November 21-23, 2014. AetherFest is billed as "Texas' premier Retro-Futurist convention, put together by fans for fans."

I'll be Special Guest there, and none other than Michael Moorcock will be the Author Guest of Honor, along with Steve Jackson as the Gaming Guest of Honor, and more!

They've just released their programming schedule -- and it's loaded with retro goodness.

I'll be doing several panels and programming events, highlighted by Loteria! on Saturday from 2p-3p where I'll be conducting an hour's worth of this classic Mexican game of chance (think Mexican Bingo) for fabulous prizes. Come on out, have fun learning a new game, and score cool sf/f loot!



3pm: The Worlds of Michael Moorcock


10pm: AetherFest Opening Ceremony
1pm: The Art of John Picacio
4pm: The Picacio-Moorcock Hour
5pm: Guest of Honor Meet and Greet
6pm: VIP Dinner

Additionally -- AetherFest will be the last convention of 2014 where fans will be able to purchase my Loteria posters, including the new one, 'La Calavera'.

Register now and be there for an amazing weekend, SA!

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Wednesday, October 15, 2014


Presenting the final color artwork for 'La Calavera' -- the latest in my Loteria series! In English, 'La Calavera' means 'The Skull'. Those who own the 2014 John Picacio Calendar will notice that a progress version of this work is featured for the month of October. I retained the concept, but completely started over and overhauled the art from scratch. Here are the new improved pencils, created as the foundation for the revised final.

And for those who are unfamiliar with the game of Loteria, here's the Don Clemente/Pasatiempos Gallo version for this icon, and as with all of my Loteria work, this is what inspired me.

Halloween and Dia de los Muertos is right around the corner, and a ton of Alamo City Comic Con attendees asked if my 'La Calavera' would be available as a poster.

Good news -- for ONE WEEK ONLY -- it is. :) Previously, neither my 'La Luna' or 'El Corazon' Loteria posters were available for sale online.

They are now available via my website, and so is the new poster for 'La Calavera'!

Each measures 11" x 18" and is printed on thick cardstock. Only 500 posters of each will be printed, and all are signed. The 'La Luna' and 'El Corazon' posters are already in reduced supply because of heavy sale during my summer convention appearances.

Heads up -- deadline for all orders will be Wednesday, October 22nd at 8pm CST. After that, I'll close online ordering for these items and process as many orders as I can before Dia de los Muertos.

All posters will be shipped in a protective tube. Prices include shipping. Unfortunately, I can only accept continental US orders at this time. :( I'm unable to do shipping outside the US because of rising shipping rates, but also because it will take too much time to handle the customs paperwork for orders shipping outside the US. I'll be doing fulfillment on this by myself, and in order to do it efficiently, I have to make some time-saving choices for this limited campaign.

Thereafter, these posters will also be available at the following 2014 appearances:

Saturday, October 25th: DRAGON'S LAIR, San Antonio (in-store signing from 10am to 2pm)

Friday, November 7th: WORLD FANTASY CONVENTION, Washington DC (at the Mass Autographing)

November 21st to 23rd: AETHERFEST, San Antonio (poster signing details TBA)

So for all that are traveling to WFC from outside the US, that convention is a great opportunity to score posters for yourself, and probably your only chance for the foreseeable. (If you're not attending WFC, perhaps you might contact an attendee from your country who is, and ask them to acquire the posters for you?)

Thanks to all for the kind words about the Calavera concept featured in my 2014 Calendar. I hope you all enjoy the revised version as much, if not more! :)

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Thursday, October 09, 2014


Here's the final cover art for the Subterranean Press limited edition of Dan Simmons' ENDYMION, the third book in his all-time classic sf literary quartet. Preorders for this one are being accepted right now!

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Friday, October 03, 2014

Alamo City Comic Con 2014: What Next?

Busy days since Alamo City Comic Con happened this past weekend. It was epic, with a reported 100,000 in attendance -- in only the con's second year. WOW.

Thank you to all who scored Loteria posters, calendars, and art goodies at my Artists Boulevard table there. It was a pleasure to visit with every one of you, and yes, there's more Loteria news coming down the road from me soon. Stay tuned. :)

HUGE thank you to all who played Loteria in Ballroom B on Saturday night. We played over ten rounds, and gave away the most prizes yet. SO MUCH fun. That was the largest attendance I've yet experienced for a Loteria session, as we had close to 100 people who played or watched. The attendances seem to grow every time I do this. I'll keep doing it into 2015, on all of my road appearances. :) (Next stop -- actually another hometown appearance -- Aetherfest.)

Recently, there's been a lot of discussion about whether conventions are a viable marketplace for artists and independent creators, and I want to address some of that, in terms of what I'm seeing at Alamo City Comic Con.

To Apple, Garrett, Izzy, Fred and the entire ACCC team -- take a bow, people. Seriously. I'm so impressed by what you've achieved thus far. MAD APPLAUSE for all of you. You're doing it, people. You're building an amazing beast, and it's only going to get better.

I think this con has a chance to do some revolutionary things in the coming years -- and perhaps develop models that can influence the future of conventions. I know -- you don't usually think of the word 'visionary' and 'San Antonio' in the same sentence, but when I look at what's happening here, times are changing. San Antonio has never experience anything like this event. Granted, like many other comic book conventions, ACCC has headliners led by artists, writers, media celebrities and cosplayers. Nothing revolutionary there. I would say that the majority of the attendees are driven by an expectation that they're going to rub shoulders with celebs and cosplayers. This is how they're pre-conditioned, and if you look at the con's VIP packages, they're designed to build this expectation.

The good news is that this attracts attendees and families who wouldn't normally attend if this were solely an event built around comic book vendors and toy merchants. The bad news happens when fans spend big money on VIP packages and then feel unfulfilled because the celebrities don't fulfill obligations, they have a bad experience with the celeb, or a snafu happens that devalues the VIP from feeling....well, like a VIP. This has been a vexing problem in the first two years of ACCC but I think it's also part of the growing pains of an event that is aiming for the moon. I think Apple and company realize they need to solve these problems, but I think the fact that this event is only in its SECOND year has to be factored. They're learning, and they're growing FAST.

Speaking as an artist vending in Artist Boulevard, the celebrities, the cosplayers, the VIP packages are all good for the ecosystem of the convention. If an artist or independent creator isn't making money at a show like ACCC, it's not the fault of those parties. Me -- I did really well this year. As always, I want to do better the next time, meet more people, make even more money, and see more of my artist compadres make more money too.

The best news is that I see an untapped solution staring ACCC in the face that can improve matters for many parties at once -- especially the Artist Boulevard folks -- and it could be a potential gamechanger and value-added experience for not only this event, but other similar comic-centric events.

This year, ACCC presented "Preview Night" to its VIPs and all-weekend pass holders. Much like San Diego Comic Con's Preview Night, this special 4-hour window from 5pm to 9pm on Thursday night allows those special passholders to glimpse the vendors and attractions before the rest of the weekend's human tsunami crashes through the doors on Friday through Sunday. Basically, people who attend Preview Night are people who are paying extra for the privilege of a VIP experience.

What I saw on ACCC's Preview Night was that my town doesn't quite grasp the concept as there was light traffic and very light sales throughout throughout Artist Boulevard. It felt pretty empty, and it didn't help that many vendors didn't even open up for this window of time. During this time, most cosplayers and celebrities were also absent.

Hold on to that thought.

So basically, we have a wave of eager attendees paying a premium for an exclusive experience during the first four hours of the show, and we have a roomful of artist vendors who are eagerly trying to connect their products and projects with these attendees. We have a growing convention building its financial ledger on VIP passes.

For many of the VIP packages, being a VIP means standing in a long line for the privilege of paying a small fortune to celebs for a hasty signature, and maybe getting photographed with said individual. Even if that's not my definition of being a VIP, I'm not gonna bash anyone who thinks it is. What I would suggest is that consumers spending quality time with creators, and getting memorable experiences with people who might remember them back is perhaps a little more 'VIP' than the aforementioned.

So let's look at Preview Night and imagine if all of the Artists in Artist Boulevard showed up at 5pm and had pre-arranged with ACCC to offer something special to those VIPs... something exclusive and tangible for Preview Night attendees only. Maybe it's a 20% discount on certain merchandise at their table for that night only.... maybe it's a free exclusive promo not available any other time during the con.... maybe it's a special buy-1-get-1-free deal only for Preview Night.

It's up to the artist. Not every artist HAS to do it. But for the ones that do embrace the concept, Alamo City Comic Con could print a special listing in its Program Book that would celebrate Preview Night and list each artist's booth number along with their special deals so that VIPs could seek out these exclusives like a rocking treasure hunt. ACCC could promote this info on their website two weeks in advance so that shoppers could make their lists.

It would take advance initiative from the artists, and coordination between them and ACCC. But look at the rewards that happen as a result -- a booming, energetic crowd for Preview Night; a potential rocket boost to sales for artists in Artist Boulevard; new fans for those Artists; more Preview Night VIP passes sold for ACCC; AND maybe most importantly -- attendees who feel like they got treated like VIPs because frankly, I don't think the artists are going to be charging $80 for their autograph and photo (or at least, most of the sensible ones), and the VIPs get access to special deals that the rest of the con doesn't.

It's even more effective because Preview Night really is the time when artists and vendors have more visibility as cosplayers and celebs don't arrive until later in the weekend.

I think it's a major opportunity for ACCC, and could be a way to elevate even higher in their third year, while cleaning up some of the VIP PR hiccups of the first two years.

That's my two cents for now.

I see HUGE things for this show, and I'm grateful for Apple and the entire team who are making San Antonio into a rising force amongst the Geek Kingdoms.

Cheers, all. See you next year!

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Monday, September 22, 2014

Alamo City Comic Con Print Sale!

Alamo City Comic Con is this week in my hometown -- and to celebrate, I'm offering a special flash sale on ALL of my archival prints for all attendees of ACCC, and this includes all volunteers and staff who are working hard to put on this great event.

Starting today, through Wednesday, September 24th -- all ACCC attendees, volunteers, and staff can pre-order ANY 17" x 22" archival print in my shop -- for only $55 each.

And yes, GAME OF THRONES fans -- this includes my A SONG OF ICE AND FIRE signed archival prints. Yes, that's a savings of over 50% from the online retail price on those -- and yes, this offer is ONLY for ACCC attendees.

Why do this?

Simple -- it's a win-win.

I save shipping, handling, and extra materials costs because this event is happening in my hometown. I pass those savings (and then some) to ACCC attendees, who score archival prints of my art at a bargain price.

How do you get yours if you're attending ACCC? Easy.

1) Email me at john (at) johnpicacio (dot) com, and let me know which 17" x 22" prints you want reserved for you at ACCC. Deadline for reserving is Wednesday, September 24th at 9pm CST. (DO NOT order through the webshop to score this special ACCC price.)

2) You pay at the show, when you pick up your prints. I'll be located at ACCC in Artist Blvd at Table B42. Or if you feel compelled, you can pay me via Paypal and I can give you those details via email.

3) Buyers are encouraged to bring their own protective sleeve or tube to the show. Prints at reduced price do not include protective bag or board.

4) All prints must be picked up and paid for at ACCC. No mail orders allowed, for this special price.

5) And again -- this offer is only for attendees of Alamo City Comic Con, and only for a limited time. Please note that this special price only applies to archival prints and not original artworks.

Aside from the prints that you folks reserve -- I'll only be bringing a VERY small handful of prints to the show. Those prices will be higher than if you reserve yours in advance, and there's no guarantee the one you want will be there. So -- all aboard, ACCC attendees, volunteers and staff! Reserve your prints in advance, and save big money, while you can! :)

See you at Artist Blvd / B42 at ACCC this weekend!

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Thursday, September 18, 2014

Alamo City Comic Con!

ACCC is coming, San Antonio. 'You ready? :)

I'll be there, starting on Preview Night, at Artist Blvd. / Table B42. This is your chance to get your exclusive limited-run Loteria posters featuring my 'El Corazon' and 'La Luna' artwork. These are not available online, or through any retail outlet.

So if you live in SA or the surrounding area, and have been watching as San Diego, Detroit, Atlanta, and London grabbed their share on my road appearances in those towns -- now's your chance, San Antonio. Each poster measures 11" x 18" and is printed on thick cardstock. Special price for SA too -- only $15 each -- OR score both for only $25!!
How many of you out there grew up playing Loteria, or grew up hearing about it? Well -- Saturday night is your chance at Alamo City Comic Con. We're going to play Loteria together, as I'm hosting an hour's worth of games, and I'm bringing the tablas, the cards, the pinto beans, and the prizes for you, including 2015 A Game of Thrones desktop calendars!

Saturday, 6pm, in Ballroom B -- bring family and friends because everyone who plays Loteria that night gets a free Loteria promo card, featuring my art, as a thank-you for being there!

See you soon, SA.

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Tuesday, September 09, 2014

The Facts of Life

I met Graham Joyce in 2000 at the World Fantasy Convention. He was one of my favorite writers. Still is.

I first heard his name four years earlier. It was my first visit to Michael and Linda Moorcock's house. I was there to meet Mike because I was doing my first book cover gig -- for the 30th Anniversary edition of his novel BEHOLD THE MAN. I was sitting in his studio sanctorum with Ben Ostrander and Rick Klaw, and Mike had just finished writing a review for The Guardian. The subject was a novel called REQUIEM by Graham Joyce. Mike had high praise for it, and I remember writing the name down in my sketchbook.

I bought REQUIEM shortly thereafter, and Mike was right. Graham was good. I started collecting Graham's books. I was a newbie cover artist, in the embryonic stages of building a career. When WFC came to Corpus Christi in 2000, I barely had enough money to attend, but I did, and Graham was one of the first people I wanted to meet.

For those that didn't see my Facebook post today, here's a brief recap of what happened -- but I also want to share something extraordinary that I haven't yet shared elsewhere...

Virtually no one knew who I was at that convention. I had never met Graham, and I went to see him talk. I waited until everyone exited, and showed him my portfolio. He took the time to visit with a total stranger like me, and treated me like the center of the world. A few minutes later, a bald man with dark-rimmed glasses ran up to me in a hallway, and said, "Graham Joyce just told me I needed to meet you!" And that was Lou Anders, who has been my best friend since that fateful moment. It was Graham who brought us together.

But that's not where the extraordinary ends.....

I saw Graham at the end of the con. We were parting ways. I told him about that first time that I heard about him, when Mike was reviewing his book, and when I was working on BEHOLD THE MAN. He said, "BEHOLD THE MAN?? When that one first came out, back in the day......that was the one that made me want to be a writer."

Graham said, "Did you really mean that you could show me around after the con?" I said, "Sure, man. Where do you want to go?" I figured Graham wanted to find some dinner. He said, "How far away is this place where you live?"

"About three hours," I said.

"Is Halloween good around San Antonio?"

I said, "It's alright, but in Austin, it's bonkers. Sixth Street. You'd love it."

Thirty minutes later, one of my favorite writers in the world was riding shotgun in my Saturn coupe as I sped us north to my home in San Antonio. Graham stayed at my house for two terrific Fall days, and yeah, we spent a rollicking Halloween night on Sixth Street together. Better than that though -- I took him to meet Michael Moorcock that same evening, and Graham was so happy. Mike meant the world to him, and it was one of my favorite Halloweens ever. Linda was there. So were Rick Klaw and Brandy. It was the best of times.

Years went by, and Graham was always the cool rogue and the great statesman, and he did it effortlessly. He was one of those pillars that defined a generation of the fantasy field for me and my friends. He was always there at WFC, with a word of advice about how to handle a tough situation, or a word of encouragement -- with a lot of laughs. I can't think of the World Fantasy Convention without thinking of him.

He passed away today after bravely battling lymphoma cancer. He was a friend, and one of my favorite people.

I will never forget him..

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